Saturday, October 31, 2009

Comic Book Revolution Podcast #15: Halloween Edition

All right, it is time for another Revolution Podcast. We picked up some new equipment and mics and have recorded what is our best sounding podcast so far. Shawn's voice is almost equal in volume to my voice. At any rate, this fifteenth podcast is a special all zombie podcast in celebration of Halloween. In this Halloween Edition podcast we review:

Blackest Night #4
Green Lantern #47
Blackest Night: Titans #3








We are all about options, so you can also check out The Revolution's blip.tv page for a larger version of the enhanced podcast.

Or, if you would like to download and listen to the mp3 of the podcast rather than watching the enhanced version with the pics then you can go ahead and head over to The Revolution's podcast page and listen or download the mp3 of the podcast.

The Comic Book Revolution Podcast is also on iTunes if you want to subscribe. 
_____________________________________________________________
Rokk

Friday, October 30, 2009

Blackest Night #4 Review

Creative Team
Writer: Geoff Johns
Artist: Ivan Reis
Inkers: Oclair Albert and Joe Prado
Colorist: Alex Sinclair

Story – Gathering

Review
After reading Green Lantern #46 a few weeks ago I really believed that Geoff Johns was ready to actually shift the story of Blackest Night from the neutral position it has been since the end of issue one into the next gear. But sadly after reading Blackest Night #4 it seems that all momentum that Johns built with that Green Lantern issue was thrown to the side a bit. Instead of moving the story forward this fourth issue of Blackest Night is more of the same that we have gotten in the first three issues: Slow, boring story with little to no plot progression.

And after reading Green Lantern #47 it is clear that Johns is falling into similar trappings that Brian Bendis fell under during Secret Invasion. In truth Blackest Night is nothing more than DC's version of Secret Invasion. Almost everything that is important to this event, if not everything, is happening in the main tie-in books of Green Lantern and Green Lantern Corps. Hell, even the Batman and Titans mini-series revealed more about this event than this main series has so far in its four issues.

This supposed main series actually reads more like a tie-in. It reads like it should have been re-titled to be called Blackest Night: Earth and cut down to four or five issues. This whole issue focuses on what is going on Earth. At no point do we see how the rest of the galaxy is handling the Black Lantern situation along with the War of Lights that is going on.

Other than knowing that the Earth is in danger there is no real sense that this event will contain the darkest days of the whole universe. This continues to be an event all about Earth with no true difference to other events that we have seen DC do were in the end Superman comes in and beats the big bad.

Now while I am complaining a lot about the story I will give Johns credit for his solid writing of all the characters involved. Johns has a great handle of Barry, Mera, and Atom as well as the other of Earth's heroes he uses in this issue. Even Lex Luthor does get his own moment in this issue. It was all solid dialogue if this was a story and event that only affected the Earth.

But again this event is not taking place just on Earth. This is supposed to be an event that looks to shatter the whole universe in pieces. Even though Johns is providing solid dialogue with all of the characters there is just no clear plot progression. Even the ending felt like it was more of an ending for the second issue.

The real story of Blackest Night is actually being told in Green Lantern and Green Lantern Corps. Green Lantern #47 had more plot progression in that one issue alone than these first four issues of Blackest Night. It is freaking amazing reading the clear discrepancy in the quality of storytelling between the two GL books and this series that is supposed to be able to stand alone without relying on other titles to help it.

I would even say that the Batman and Titans tie-in mini-series were much better told, and that we actually found out more about what the Black Lanterns are in those tie-ins. I was actually surprised that Batman (Dick Grayson) and Dove did not play a more important role in this issue as they both found out key information to helping the rest of the hero community on Earth.

Finally, the whole ending with Nekron showing himself to be the big bad to Barry at the end was just the ultimate 'meh' ending. Thanks to early spoilers on DC and Johns part the Nekron reveal wasn't much of a reveal, as it was expected to be coming into these last two issues. Honestly while having Nekron be revealed as the supposed big bad of the series that controls the Black Lantern Corps may hold more weight with older DC fans for me, as a casual DC reader, this does nothing to excite me. When I got to the end of this comic and saw Nekron appear I couldn't have cared less for a villain who, from what I've been told and read, is a D-list villain, at best.

I think what hurts this ending more is actually not that it was spoiled a few months ago or that I don't care about Nekron. What really hurts this reveal is that after four issues the Black Lanterns are boring villains. Johns just continues to hit the same note with the Black Lanterns that have made them very dull villains, and because they have dominated these four issues along with the two GL books and tie mini-series that this event needs more. And that is where the War of Lights would have helped this title much more as then maybe the Black Lanterns would not have become so dull by the midway point of this event.

Now the saving grace of this issue, and this whole event, is Ivan Reis phenomenal artwork. Even with a dull and slow story involving the Black Lanterns he continues to shine with all of his artwork. And a lot of credit must also go to his inkers Oclair Albert and Joe Prado and colorist Alex Sinclair for making the art look so great. Even though I couldn't have cared less about the Nekron reveal at the end Ivan Reis and his crew did a great job at least making him look like a bad ass at the end of the issue.

Issue Rating
Story: 3.7/10 – While Geoff Johns provides some solid dialogue he does a poor job creating a story that is interesting. So far this has been a perfect example of good dialogue does not equal good story. Johns is making each passing issue of this main book more boring than the last.
Art: 9.6/10 – Ivan Reis continues to be providing this event some great artwork. His great artwork, with the help of his inkers and colorist, is able to breathe some life into what has been a dull and slow story.
Overall: 6.65/10 – Blackest Night #4 was yet another disappointing chapter in DC's big event. This event just continues to be one slow moving story with villains that have already become boring. Johns is going to need more than just the Nekron reveal in the last half of this event to make this a much more interesting story.

Comic Book Review: New Avengers #58


Like the other Avengers titles written by Bendis, New Avengers has been disappointing for the Revolution. Rokk decided it was time to review the newest issue and see if the title has improved. Marvel's announcement says "A big status quo change for the power brokers of the Marvel Universe." Let's see if this change helps to get this title back on track.

Creative Team
Writer: Brian Michael Bendis
Pencils: Stuart Immonen
Inks: Wade von Grawbadger

Story Rating: 4 Night Girls out of 10
Art Rating: 6 Night Girls out of 10
Overall Rating: 5 Night Girls out of 10

Synopsis: The story opens with the Dark Avengers taking Luke Cage into custody. He was injured and surrendered to allow his team mates the chance to escape. Carol (Ms. Marvel) takes flight from the building.

Iron Patriot goes in pursuit but orders the other Dark Avengers to stay and secure the building. He does not want to give the rest of the New Avengers a chance to escape. Iron Patriot signals that he has Ms. Marvel under control.

As Iron Patriot reaches for her, Carol turns and decks him. He falls into the harbor. Ms. Marvel tells Iron Patriot that you never leave your team in the middle of a battle. She could have killed him, but she is better than him.

Dark Wolverine tells Ares to bring down the building the New Avengers are in. Ares' ax cracks the building but it remains standing. Spider-Man reinforced the building with his webs. Dark Wolverine, Ares, and Venom work on slicing through the webbing.

Dark Ms. Marvel flies up and phases through a wall. She tells them they are under arrest. Instead of the New Avengers, she finds the Night Nurse. Night Nurse tells Ms. Marvel that she is surrendering. The Night Nurse says that she has not done anything wrong. Night Nurse continues that if they anything happens to her, it is a violation of her civil rights.

Ms. Marvel wants to know where the New Avengers are. Night Nurse explains that she just emailed the story to the Front Line. Night Nurse says that Luke is hurt. That it is Norman Osborn's duty to help him. Dark Marvel is getting angrier with each comment.

We cut to Dark Wolverine, Dark Hawkeye and Venom tracking the New Avengers through the sewer system. Dark Wolverine smells them. As he tells the others where the New Avengers are, Dark Wolverine is hit in the face by Captain America's shield.

The New Avengers are ripping through the Dark Avengers until Ares shows up. Ares throws his ax at Cap. Cap is knocked down. Ares is standing over him when Cap pulls a gun and shoots Ares under the chin. Ares collapses. He stands back up and says "impressive".

The Hood's Hideout...the Hood and Madame Masque return only to find out that Dr. Jonas Harrow. Harrow told the Hood's men that he was working for Norman Osborn. Norman arrested the gang.

H.A.M.M.E.R. Helicarrier...the doctors are looking at Luke Cage. The doctors cannot work on Luke because of his invulnerability. Norman uses his armor to shock Luke. He asks for Dr. Harrow.

We cut to the Avengers Hideout in Brooklyn where Jessica is arguing with her mother. Her mother wants her to quit running for the sake of her and Luke's baby. Jessica says that it would be worse if she went to work for Norman Osborn.

The New Avengers show up at her back door. Jessica wants to know how things went for Luke. She can tell by the look on their faces that it is bad.

Jessica flies off. She is going to rescue Luke. Ms. Marvel catches and stops her. Marvel knows that Norman would kill Jessica. Anyways, they have a plan.

We cut to the Helicarrier, operating room. We see that with the help of Dr. Harrow's power draining machine, the surgeons are able to operate on Luke. Hawkeye wants to let Luke die. Norman says that Luke has so much more to offer them.

Comments

The Good: This issue contained more action than most of the Bendis scripted Avengers. The Dark Avengers really went after the New Avengers in this issue.

Favorite scenes in this issue...

1.Ms. Marvel taking out Iron Patriot Norman with one punch. Sometimes I tend to forget how powerful she can be.

2. Night Nurse standing up to the Dark Ms. Marvel. I have been enjoying the role played by the Nurse.

3. The homage to the classic X-Men sewer scene. The Dark Avengers take the X-Men's place in the new version of the X-Men breaking into the Hellfire Club.

4. Cap hitting Daken in the face with his shield.

The Bad: Stuart Immonen's art was not up to his usual drawing. I am not sure but it looks like he did not mesh well with the inker. Usually, his art is very good. It is not even close to his work on the Dark Horse series Shockrockets. The funny part about this is Shockrockets also featured him working with von Grawbadger.

The Hood was featured on the cover. It looked like it was a big fight with the Avengers. Then the Hood only appears on 1 page. He does not even face the Avengers.

What was the big status quo change? The best I can come up with was Dr. Harrow's desertion (and didn't that happen last issue?).

Overall: New Avengers #58 was better than the last few issues but still not a good comic. Not much happened in this issue. Pick up the Mighty Avengers instead of New Avengers.

____________________________________________________________________________________
Jim

Wednesday, October 28, 2009

Comic Book Review: Justice League of America #38

The Revolution dropped Justice League of America during McDuffie's run on this title. I just could not stomach the lame roster and the endless tie-in issues for stories to take place on titles outside of the JLA. Well, I have decided to give the new creative team of James Robinson and Mark Bagley a chance as they come aboard this title with Justice League of America #38.

While I do think that Robinson is a talented writer, his work on Justice League: Cry for Justice does not inspire me with confidence concerning his taking control of Justice League of America. Hopefully, we will get more than just "JUSTICE!!!!" in the pages of Justice League of America. Let's go ahead and hit this review for Justice League of America #38.

Creative Team
Writer: James Robinson
Pencils: Mark Bagley
Inks: Rob Hunter

Art Rating: 8 Night Girls out of 10
Story Rating: 5 Night Girls out of 10
Overall Rating: 6.5 Night Girls out of 10

Synopsis: We begin with Blue Jay being chased by an unknown assailant. Blue Jay is dodging energy blasts from this unknown attacker. It appears that Blue Jay is in a trophy room of sorts. (Maybe this is in the Hall of Justice.)

Blue Jay thinks how his world Angor has gone bad or dead. Blue Jay thinks about his time with the JLA and how they always accepted despite his faults and mistakes. Blue Jay says that he must repay the JLA and warn them about the dangers that lie ahead.

Blue Jay says that the JLA is going to face such danger and enemies from all sides. Blue Jay says that he must warn the JLA. Suddenly, the mysterious attacker blasts Blue Jay.

Blue Jay collapses to the ground and is apparently dead. The unknown attacker says that Blue Jay was a fool however the mysterious attacker always liked Blue Jay.

We cut to Vixen, Doctor Light (Good version), Red Tornado and Plastic Man meeting at the original JLA's first headquarters in Happy Harbor. Vixen launches into the speech about who are they? Are they the Justice League? Is there a Justice League anymore? Why are they in the Justice League at all? Why are they bothering anymore? Is there even a point to the Justice League anymore?

Vixen says that she put out a call to all the members of the JLA and barely half of them showed up here in Happy Harbor. Vixen says that her attitude about the Justice League changed after Prometheus broke her leg in four places. That compared to the loss of all the other people, Vixen is actually one of the lucky ones. (See events in Cry For Justice.)


Dr. Light has her arm in a sling due to her injuries from Prometheus. Plastic Man then says Prometheus messed up his powers so badly that Plastic Man has to use all his concentration to keep his normal shape and form. Also, that Plastic Man is unable to turn into any shape like he used to be able to do. It is too painful.

Vixen points out that both Dr. Light and Red Tornado have their own family and children to take care of rather than being with the Justice League. Vixen says that Plastic Man needs to see a doctor at STAR Labs immediately.

Suddenly, Despero appears on the scene and yells "Déjà vu!" and attacks our four heroes. Despero reveals that he has an unconscious Gypsy in his possession. Despero then tosses Gypsy at the heroes.


Plastic Man attacks Despero. Unfortunately, Plastic Man's powers are so weak that he is unable to contain Despero. Despero then quickly takes out both Dr. Light and Red Tornado.

Despero is about to attack Vixen when suddenly Zatanna appears on the scene. Zatanna begins to cast a spell to send Despero to the center of the Earth. However, before Zatanna can finish saying her spell, Despero is teleported away from the scene by an unknown force or person.

Zatanna says that she has been looking for Vixen. Zatanna asks the four heroes if they have any idea about what is going on right now. Zatanna then reveals that the dead have come back to life and are armed with black power rings and have been attacking Earth. Zatanna says that all the dead villains being stored at the Hall of Justice have come back to life.

Vixen then says that Despero answered any questions that they might have had. Vixen says, "We're nothing."


Zatanna tells Vixen to think positively. Zatanna then tells the heroes that they have to go. Zatanna says that Firestorm last reported at the Hall of Justice and that if they can connect with him then they may have a chance to stop these zombie villains.

Zatanna teleports Vixen, Red Tornado, Plastic Man and Dr. Light to the Hall of Justice. Zatanna says that all she knows is that nothing good awaits for them at the Hall of Justice. We cut to the Hall of Justice and see Black Lantern Dr. Light (Rapist version.)

Comments

The Good: Justice League of America #38 was an unimpressive beginning to this supposedly "All New" Justice League of America. It is not like this was a terribly crafted read. Instead, it was simply a generic read that did little to get me excited about this new direction for the JLA.

Having said that, there were some positives to this issue. Robinson loaded Justice League of America #38 with a great brawl between Despero and the JLA. It was basically just a mindless brawl utilized to demonstrate the relative impotency and ineffectiveness of Vixen, Dr. Light, Plastic Man and Red Tornado as the rag tag JLA.


The best aspect of Justice League of America #38 was Mark Bagley's artwork. Bagley cranks out plenty of solid artwork. Bagley does a good job conveying the downtrodden mood of the beleaguered JLA'ers in this issue. The reader truly gets a good sense of how beat down these characters are. Bagley always draws nice facial expressions. And, to be sure, Bagley draws one exciting and dynamic brawl between Despero and the Leaguers.

The Bad: Justice League of America #38 was such an underwhelming debut issue for this new creative team. I was incredibly disappointed. I was expecting so much more from Robinson than what we got in this issue. This issue was a rather boring read and completely failed to hook me into wanting to come back for more with the next issue.

I was expecting to see at least some of the new roster for the JLA and the new mission statement for this team. Unfortunately, all I got was a grab bag of leftover loose ends that were cobbled together into a debut issue for this "new" JLA.

Justice League of America #38 was a poorly paced issue. Robinson moves the story along at a slow pace as there is no real sense of urgency at all to the story. The story also lacks much of a purpose as Robinson spends most of the issue focusing on the never ending bellyaching by Vixen.

I am completely bored with the constant starting and re-starting of this team. The constant questioning about whom they are and are they worthy to be in the League and why should they bother anymore has become quite stale and uninteresting.

Justice League of America #38 was not well plotted at all. This issue has a terrible flow and comes across as completely scatterbrained. The reader is jerked randomly from scene to scene that appear to have nothing at all to do with each other.

This issue starts off with a generic "mysterious" villain plotline who murders Blue Jay. The use of Blue Jay was an odd choice. Clearly, Robinson has to use a d-list character that he could kill off without any fan resistance.


However, the problem is that Blue Jay's death had no impact on the reader because the vast majority of readers probably had no idea who he was. Blue Jay first appeared in Justice League of America #87 back in 1971 and was a member of the Champions of Angor who were DC's imitation of Marvel's Avengers. Much like how Marvel's Squadron Supreme was an imitation of DC's JLA.

The fact that few readers will recognize much less care about Blue Jay robs this death scene of much of its impact. Also, the fact that Blue Jay fails in his mission of trying to warn the JLA of the dangers that they are about to face saps any meaning that Blue Jay's death could have had.

Instead, this death lacks a purpose other than to try and show the reader that bad things are headed the JLA's way and that this mysterious villain is one really bad person. That just is not enough to make this an interesting and purposeful death.

At this point, Robinson has done nothing to get me interested in this generic "mysterious" villain plotline. To make matters worse, it seemed like the various artifacts from the JLA's villains were featured more prominently in the opening scene than either the mysterious villain or Blue Jay. My focus in this scene rested on the various artifacts rather than what was going on between the villain and Blue Jay. Robinson can still breathe some life into this plotline, but at this point I have little interest in the mysterious villain.

Despero comes crashing into this story like a rogue plotline from another title. The Despero fight scene felt so completely out of place and totally random. And Despero departs the scene just as inexplicably and randomly as he entered the scene. The entrance and departure of Despero made this scene seem so forced and contrived. Robinson was simply trying to find a cheap plot device in order to emphasis to the reader what bad shape the remaining four members of the JLA are in.

The opening scene coupled with the Despero scene and the scene with the JLA'ers standing around bemoaning their current situation game me the impression that I was reading three scenes from three different stories that had been oddly and disjointedly smashed into the same issue.

Multiple plotlines are important on a team title. But, the seeds to each plotline should be properly planted and there should be an overarching spine that serves to connect the various plotlines together. That was totally lacking in Justice League of America #38.

The plotline involving Plastic Man having problems with his powers was so generic and unappealing. Any plotline revolving around a character having issues with their super powers immediately loses my interest. This is a plotline that we have seen beat to death on just about every super hero title from Marvel and DC.

Also, it is a poor use of Plastic Man's character. Plastic Man and his powers lend this character to being some fantastic comedic relief. And, to be sure, this plodding issue could have used some comedic relief to make it a livelier read.

The ending to Justice League of America #38 did absolutely nothing at all for me. Oh boy, we get another obligatory Blackest Night tie-in issue. We are in store for another heaping helping of mindless zombie action. We are almost to the halfway point of Blackest Night as Blackest Night #4 comes out this week. It is time to move pass this initial "zombie attacks" stage of Blackest Night that should have concluded after the first or second issue.


Of course, this leads me to a much larger problem with Justice League of America #38. The fact is that not all the blame for this issue can be placed at Robinson's feet. Much of the blame must be placed on the editors. Editorial mandated stories have largely ruined this title ever since McDuffie took over the Justice League of America.

During McDuffie's run, the JLA were nothing more than a vehicle to promote stories that were to take place on other titles outside of the Justice League of America. There were basically no plotlines unique to the JLA and dealing only with the JLA on this title. The Justice League of America was nothing more than a series of tie-in issues for events like Tangent: Superman's Reign, Salvation Run or the return of the Milestone characters.

Now we have Robinson taking over the Justice League of America and the editorial staff is mandating that Robinson begin with another tie-in issue. This time for Blackest Night.

This is not the best manner in which to kick off the "All New" Justice League of America. It would be nice if the editorial staff would stop meddling so much with the JLA and allow Robinson to simply focus on writing stories that focus only on the JLA and that are unique to the JLA.

Overall: Justice League of America #38 was an unimpressive beginning to this new direction for this franchise. Hopefully, once Robinson gets past the obligatory Black Night tie-in story that he will be able to quickly resuscitate this moribund title. It is imperative that Robinson give this title a clear direction and waste no time establishing the new roster for the JLA. At this point, I would recommend waiting to purchase Justice League of America until the Blackest Night tie-in has concluded and the new roster for this team actually is assembled.
___________________________________________________________________________
Rokk

Previewing the Week’s Releases for 10/28/09

After some light weeks Marvel and DC seem to have decided to release almost all of their books in one week, or at least most of the comics on my pull list. With eleven titles this week this is probably the most comic books that I am getting in one week.

Comics
Batman #692 – Tony Daniel did not impress me with Battle for the Cowl. His work on that mini-series was very amateurish. Still I have been enjoyed the new direction of all the Batbooks and seeing Dick as Batman. And because of that I have a bit more positive outlook to Daniel's story arc that begins with this issue.

Blackest Night #4 – So far Blackest Night has been an utter failure in my eyes. While I have enjoyed the Green Lantern and Green Lantern Corps tie-ins to this event Geoff Johns has made me less and less interested with each passing issue. And I hope that the Nekron reveal from a few months ago is not the big secret revealed here as I don't care about that character. Here's hoping Johns can turn things around in this make or break half-way poin
t issue.

Blackest Night: Titans #3 – This mini-series has been surprisingly good. Though I know not
much may happen in this issue I am still interested to see how this mini-series ends and how it will be integrated into Blackest Night.

Fantastic Four #572 – Jonathan Hickman and Dale Eaglesham have been awesome so far on Fantastic Four. They have brought the fun back to the Fantastic Four. I can't wait to see what Hickman and Eaglesham have up their sleeves with the Reed Richards Corps and how the rest of the Fantastic Four will be involved in this storyline's finale.

Green Lantern #47 – The last issue of Green Lantern freaking rocked. It was the best issue of Blackest Night related material Geoff Johns has written so far for the event. Hopefully the momentum of that last issue will be carried over to this one, and Blackest Night #4.

Guardians of the Galaxy #19 – DnA have been doing a fantastic job on all things cosmic in the Marvel Universe. And Guardians of the Galaxy has been a role with the last few issues. This title just continues to be one of Marvel's best titles.

Nova #30 – See my comment for Guardians of the Galaxy. Great title that is among the best on the shelfs today.

Teen Titans #76 – Felicia Henderson did a solid job in her first issue of Teen Titans. It was nothing impressive but nothing horrible at the same time. Though I am not a big fan of yet another story with Raven and Trigon. Usually makes for a boring read this past decade.

Ultimate Comics Armor Wars #2 – The first issue was just a blast to read. Warren Ellis did a very good job nailing Ultimate Tony Stark's character and setting up a 007-like story in this mini-series. Expecting this to be a fun and fast paced read.

Ultimate Avengers #3 – Ultimate Comics Avengers has been a great read so far. Sure it may be more popcorn for the brain blockbuster movie than a deep and intricate story but it is one fun blockbuster comic. Miller just knows how to write a badass Captain America and love his version of Ultimate Red Skull. Can't wait to see where he takes the story next.

Wolverine: Weapon X #6 – While I am disappointed that Ron Garney is off this title I have to say Yanick Panquette is a great choice as an artist to follow up Garney's work. And the story that Jason Aaron looks to tell in this new story arc feels new ground for a character like Wolverine. Should be another fun entry into the Wolverine: Weapon X series.

Trade Recommendation
Wolverine: Old Man Logan Hardcover – Even with the long wait between issues Old Man Logan was still one of the best Wolverine stories we have had in a very long time. Millar told a fantastic story of an old Logan who has given up his former ways only to go back to the ass kicker we all know and love. If that isn't reason enough to get this hardcover than just get it for Steve McNiven's gorgeous artwork as his artwork in this story was not short of amazing. Truly great stuff from the Miller/McNiven team.
______________________________________________________________________
Kevin

Previewing the Week’s Releases for 10/28/09

After some light weeks Marvel and DC seem to have decided to release almost all of their books in one week, or at least most of the comics on my pull list. With eleven titles this week this is probably the most comic books that I am getting in one week.

Comics
Batman #692 – Tony Daniel did not impress me with Battle for the Cowl. His work on that mini-series was very amateurish. Still I have been enjoyed the new direction of all the Batbooks and seeing Dick as Batman. And because of that I have a bit more positive outlook to Daniel's story arc that begins with this issue.

Blackest Night #4 – So far Blackest Night has been an utter failure in my eyes. While I have enjoyed the Green
Lantern and Green Lantern Corps tie-ins to this event Geoff Johns has made me less and less interested with each passing issue. And I hope that the Nekron reveal from a few months ago is not the big secret revealed here as I don't care about that character. Here's hoping Johns can turn things around in this make or break half-way point issue.

Blackest Night: Titans #3 – This mini-series has been surprisingly good. Though I know not much may happen in this issue I am still interested to see how this mini-series ends and how it
will be integrated into Blackest Night.

Fantastic Four #572 – Jonathan Hickman and Dale Eaglesham have been awesome so far on Fantastic Four. They have brought the fun back to the Fantastic Four. I can't wait to see what Hickman and Eaglesham have up their sleeves with the Reed Richards Corps and how the rest of the Fantastic Four will be involved in this storyline's finale.


Green Lantern #47 – The last issue of Green Lantern freaking rocked. It was the best issue of Blackest Night related material Geoff Johns has written so far for the event. Hopefully the momentum of that last issue will be carried over to this one, and Blackest Night #4.

Guardians of the Galaxy #19 – DnA have been doing a fantastic job on all things cosmic in the Marvel Universe. And Guardians of the Galaxy has been a role with the last few issues. This title just continues to be one of Marvel's best titles.

Nova #30 – See my comment for Guardians of the Galaxy. Great title that is among the best on the shelfs today.

Teen Titans #76 – Felicia Henderson did a solid job in her first issue of Teen Titans. It was nothing impressive but nothing horrible at the same time. Though I am not a big fan of yet another story with Raven and Trigon. Usually makes for a boring read this past decade.


Ultimate Comics Armor Wars #2 – The first issue was just a blast to read. Warren Ellis did a very good job nailing Ultimate Tony Stark's character and setting up a 007-like story in this mini-series. Expecting this to be a fun and fast paced read.

Ultimate Avengers #3 – Ultimate Comics Avengers has been a great read so far. Sure it may be more popcorn for the brain blockbuster movie than a deep and intricate story but it is one fun blockbuster comic. Miller just knows how to write a badass Captain America and love his version of Ultimate Red Skull. Can't wait to see where he takes the story next.

Wolverine: Weapon X #6 – While I am disappointed that Jon Garney is off this title I have to say Yanick Panquette is a great choice as an artist to follow up Garney's work. And the story that Jason Aaron looks to tell in this new story arc feels new ground for a character like Wolverine. Should be another fun entry into the Wolverine: Weapon X series.

Trade Recommendation
Wolverine: Old Man Logan Hardcover – Even with the long wait between issues Old Man Logan was still one of the best Wolverine stories we have had in a very long time. Millar told a fantastic story of an old Logan who has given up his former ways only to go back to the ass kicker we all know and love. If that isn't reason enough to get this hardcover than just get it for Steve McNiven's gorgeous artwork as his artwork in this story was not short of amazing. Truly great stuff from the Miller/McNiven team.

Tuesday, October 27, 2009

Comic Book Review: Mighty Avengers #30

Since Dan Slott began writing this book, the Mighty Avengers has been more in the style of a traditional team book. I like that on the Avengers. Will he continue to build on that in the newest issue? Only one way to tell.

P. S. This issue is reviewed in the latest podcast by Rokk and Shawn.

Creative Team
Plot: Dan Slott
Script: Christos N. Gage
Pencils: Sean Chen
Inks: Mark Morales

Story Rating: 8 Night Girls out of 10
Art Rating: 7 Night Girls out of 10
Overall Rating: 7.5 Night Girls out of 10

Synopsis: Pym is leaving the Macroverse and entering the Overspace. A voice calls him by name. It is Eternity (Marvel's embodiment of everything). Eternity says he wants to talk.

Infinite Avengers Mansion...Jocasta is running out of a room, yelling for Henry Pym. Jarvis asks what is wrong. The filament that anchored Pym to Jocasta has gone slack. Jarvis suggests that something cut it. Jocasta replies that is impossible. The filament was subatomic. Jarvis tells her not to worry. He will go and get the Avengers to help find Pym.


Jarvis finds a room of Avengers. Among them are the Young Avengers, Captain America, Ronin, Ms. Marvel, and Spider-Woman. Ronin gives Jarvis a hug. Then it is Ms. Marvel's turn to see Jarvis.

Jocasta interrupts the reunion. Ronin explains that he heard about the situation in China. He went to find more Avengers to help prevent World War III. Speed and Kate are recovering from injuries. They will stay and help Jocasta while the rest head to China.

Avengers Resistance Headquarters...Stature and Vision went to see if they would help with the problem in China. Justice, Tigra, Gauntlet, and Rage agree to help.

Avengers Tower...Hercules and Cho are asking Osborn's Avengers to help. Hercules wants Osborn to help stop the threat to the world. Osborn says that Hercules has to be kidding. Herc and Cho exit through a door connected to the Infinite Avengers Mansion. Osborn orders Sentry to throw the door into the sun.

Infinite Avengers Mansion...Jarvis gets choked up serving refreshments to the combined Avengers teams.

Back with Eternity...Henry Pym is surprised that Eternity is the same size as him. Eternity explains that he appears normal sized because Pym is not impressed with size. While he is here, Eternity represents the rest of the universe.

Eternity makes a fist and punches Pym. Then he kicks him. Pym wants to know why Eternity is attacking him. Eternity says that Pym controls this. As long as Pym thinks that the universe is against him, Eternity will keep on hitting him.

The fight is now over. Eternity helps him up. He is in debt to Pym. Pym saved him from chaos by assembling the Avengers. He tells Pym that he is the opposite of the Sorcerer Supreme. Pym is the Scientist Supreme.

China...the few remaining heroes are trying not to hurt the ones who were affected by the Unspoken's Xerogen Mists (when a human is exposed to them, they become an Alpha Primitive-the subhuman race that are slaves to the Inhumans). The Unspoken is almost done finishing the machine that will turn all of humanity into Alpha Primitives. The Xerogen device lifts into the air.

The Unspoken says that he used to think of this machine as an abomination. Now he will use it to enslave humanity for Attilan. He announces that humanities prayers will fall on deaf ears. No words can save them now. Quicksilver says that two words can save them...Avengers Assemble. The combined might of the Avengers arrives.

While the Avengers and the Unspoken battle, Cho and Hercules board the vessel. They are stopped by a giant robot.

Eternity...Pym denies that he is Earth's Scientist Supreme. Eternity explains. Reed Richards is the Explorer. To him, science is about pure discovery. Tony Stark is the Engineer. Science is his tool. It is used to shape the world. Pym is the Mage. Science is about making the impossible possible. Eternity tells him to never forget this. Pym is his champion. A new age of heroes is dawning. Eternity is entrusting the future to him.

Pym returns to the Infinite Avengers Mansion. He explains to Jocasta what has happened. Jarvis begins to explain about the problem in China. Pym interrupts him. He already knows. He picks up two guns. Jocasta wants to know where he is going. Pym announces, "To save the world".

Commentary
The Good: This is a good super hero comic. Slott is taking full advantage of the various groups of Avengers. He shows what can be done with them.

Unlike the last issue of Dark Avengers, this group does not sit around and talk all of the time. Slott balances the action scenes and the talk scenes. Even the scene with Eternity and Pym contains action.

I liked that Eternity attacked Pym. This scene demonstrates that Henry needs to step up, realize that the universe is not against him, and take his rightful place among the superheroes.

Instead of just focusing on a few characters, Slott pulls out all of the stops. It was amazing to see the return of the large group of Avengers. When the world is threatened, Avengers should join together.

Like Rokk and Shawn pointed out in the podcast, this issue has a nice flow to it. The plot advances logically. When a major threat is looming, the Avengers go and recruit all of the groups to help. The battle with the Unspoken next issue should be epic.

The Bad: The art is average. Chen does not do a good job of displaying emotion on the characters faces. He does an okay job with this issue.

Overall: Dan Slott has returned the "real" Avengers to the Marvel Universe. When the Siege miniseries is over, I hope that Dan stays on the Avengers. He appears to have a plan and knows how to implement it.
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Jim

Comic Book Revolution Podcast #14

Shawn and I tackle three more issues in this fourteenth podcast for The Revolution.

The issues we review in this podcast are:

Outsiders #23
Invincible Iron Man #19
The Brave and The Bold #28



We are all about options, so if you would rather download and listen to the mp3 of the podcast rather than watching the enhanced version with the pics then you can go ahead and head over to The Revolution's podcast page and listen or download the mp3 of the podcast. And we are on iTunes if you want to subscribe.

Monday, October 26, 2009

Comic Book Review: Invincible Iron Man #19

The Revolution has not been a big fan of Matt Fractions Invincible Iron Man. Though he has had his moments in this series Fraction's run on this title has been largely unimpressed. And World's Most Wanted has been a terribly unoriginal story arc. Invincible Iron Man #19 marks the end of this year long arc but I do not have high expectations for this issue. Let see if Fraction can prove me wrong.

Creative Team
Writer: Matt Fraction
Artist: Salvador Larroca
Colorist: Frank D'Armata

Story Rating: 7 Night Girls out of 10
Art Rating: 7 Night Girls out of 10
Overall Rating: 7 Night Girls out of 10


Synopsis: We begin inside Avengers Tower's medical wing were a doctor is explaining to Ms.
Hand all of the injuries Madame Masque has suffered. Ms. Hand tells the doctor that before they call Norman Osborn that they will put a bullet in the head of the impostor Madame Masque.

In another part of the Avengers Tower Pepper, Maria Hill, and Natasha are able to reach a elevator without being noticed. Maria can't believe that she was rescued by Tony's secretary. Natasha tells Maria to shut up. Maria asks Pepper when the shooting starts. Pepper says it won't as they are just going to walk out as Madame Masque and her two prisoners.

Pepper calls JARVIS. JARVIS answers and tells Pepper he has full control of the suit again and has found the Stark Drive. Pepper tells him to upload a virus to Osborns network which he already started doing. The elevator the three women are in
suddenly stops. Ms. Hand's voice comes out of the PA system telling everyone in the building that they are in Code Red and everyone is to find and terminate Pepper Potts on sight.

JARVIS asks Pepper what she wants him to do and she tells him to find the drive. Pepper, Maria, and Natasha are then met by bunch of HAMMER agents when the elevator door opens.

We cut to somewhere in the skies of Pakistan were Norman, using the Iron Patriot armor, is flying to Tony's current location. He asks Walsh were Stark is currently is but he and everyone else is having trouble using Tony's tech but that Norman is getting closer to Tony. Norman tries to contact Ms. Hand but she does not answer. Norman fires a repulsor blast at a mountain blowing it up as he becomes more and more irritated.

Elsewhere in Iran we see Tony is Iron Man MK I armor using the jet boots of the armor to jump to the next Stark base.

In the Avengers Tower monitor room Walsh's superior finds out Walsh has been feeding Norman wrong information about Tony's current location. He has HAMMER agents arrest Walsh and uploads Tony's current location to Norman's armor.

Ms. Hand calls Norman to apologize for losing the prisoners but Norman tells her its fine. Ms. Hand asks Norman why he sounds
so calm. Norman says he is 26 minutes away from Tony's location.

Back in Avengers Tower the HAMMER agents open fire on Pepper, Maria, and Natasha. Pepper uses her arc reactor to destroy the bullets. She is unable to stop all the bullets and Natasha quickly closes the elevator door. JARVIS contacts Pepper that he has overridden the system and he now has control of the building. Pepper says she is going to go to her armor and Maria and Natasha say they will get the drive back.

Tony unable to jump anymore is forced to walk. Norman finally reaches Tony and shots him in the back with a repulsor blast. Norman says how he went to a lot of trouble to piss Tony off. Tony just keeps repeating "Gotta go. Gotta go. Gotta---" to which Norman yells to fight him.

Back in Avengers Tower Natasha and Maria leave the elevator to find the drive while Pepper goes to get her armor. Natasha and Maria enter the room were the drive is and tell the people working on cracking the drive to hand it over.

Back in Iran Norman is pummeling Tony into the ground becoming more and more frustrated that Tony won't fight back. Right when Norman is going for the killing blow Tony comes to his senses, somewhat, and starts fighting back.

Pepper finally reaches her armor and puts it on. She leaves Avengers Tower and tells JARVIS to contact
the media about Norman and Tony's fight.

In Dubai's GNN Newsroom all of the reporters have been sent footage of Norman's current fight with Tony in the Iranian desert. They all rush out in order to film the story.

Shifting to Natasha and Maria they are about to get off the elevator but before they do Natasha reminds Maria she is a soldier and to start acting like one. As soon as the elevator doors open Maria yells at all of the HAMMER agents to stand down and think whose side they really are on. The agents stand aside and allow Natasha and Maria to leave.

Back in the Iranian desert Norman is delighted with the fact Tony is finally fighting back. He starts pummeling Tony to the ground again tearing off Tony's helmet. Before he lands the killing blow Tony says he wins. Before Norman can ask why Tony just said that he is told that the whole world is watching his fight and if he kills Tony he will be turned into a martyr.

We see everyone in the US watching the fight. Norman stands down and calls for his HAMMER agents to pick up Tony.

Sometime later Tony is in the Avengers Tower medical facility
were a doctor informs Norman that Tony is in a vegetative state. Norman tells the doctor to pull the plug but is informed that Tony's will states that only Doctor Donald Blake (Thor) can do that.

The doctor calls Donald, who is in a Oklahoma motel, to inform him of Tony's situation. We then see Donald is with Captaing America, Pepper, Natasha, and Maria. End of issue.

Commentary
The Good: Invincible Iron Man #19 was a good albeit flawed ending to Matt Fraction's World's Most Wanted arc. Out of all of the issues from this year long story arc this was probably the best written issues we have gotten, which isn't saying much.

One of the biggest weaknesses of this arc has been the slow and repetitive pace of this arc killed any sense of despair and danger for our hero. But finally for the time in this story arc I actually felt that Tony's life was in danger. Fraction provided some solid writing to get that point across in this issue as we see Tony desperately wanting to get to the next location to finish his mind wipe in the first Iron Man armor while repeating "Gotta go" over and over again.

Though as a long time Iron Man fan I have seen Tony in a similar situation of being on the run before in other classic Iron Man stories the addition of his deteriorating mental capacity was a nice addition. By taking away all of Tony's intelligence away from him Fraction was able to show the reader, specifically new Iron Man readers, why Tony is such a great hero and should be considered as one of the best. Tony's will power is far above that of your normal hero and he is one of the only heroes who would go to such great lengths, such as turning himself into a vegetable, in order to protect the world from the likes of Norman Osborn.

After being so vilified for so many years Tony's actions in this arc prove that even with everyone in the world against him that Tony is a true hero. And by taking such great lengths to save the world especially those in the hero community this action by Tony can be seen as the first step in his redemption in the eyes of those who have turn his back on him. Fraction effectively drove this aspect of the story home as the citizens in the country watched in horror at the sight of Norman about to finish Tony off.

Fraction was also able to show that even with all that happened between them Thor, like Captain America, is one of Tony's closest friends and one that he trust with his life. With the Marvel Universe supposedly entering the "Hero Age" after Dark Reign this can be seen as the first step into the next phase of the Marvel U. Also this action by Tony can become the lightning rod that brings the hero community together to fight Norman and his reign with the upcoming Siege event.

Also I got to give Fraction a lot of credit for writing a very good Norman Osborn. After how Joe Kelly wrote the character in American Son and Johnathan Hickman wrote him recently in the Dark Reign: The List – Secret Warriors this is the best writing for the character. Fraction shows both the calm and angry side of the character very well. I liked the frustration in Norman's voice when he finds out he can't kill Tony and when he calls in his HAMMER agents to pick Tony's body up.

And as he has previously done throughout his run some of the best writing Fraction provides is for Maria Hill's character. Throughout this arc Maria has been the one character that has most benefited from the current situation. After being the bitch everyone loves to hate Fraction develops Maria into a much more likable character and shows that she does have a lot of depth to her. And her moment to shine in this issue was nicely done as she orders all of the former SHIELD agents, now HAMMER agents, to stand down.

I have never been a big fan of Salvador Larroca's artwork but I have to admit that this is definitely his best Invincible Iron Man issue to date. While the inconsistencies that have plagued his artwork throughout the series still exist I really like how he drew the non-fight between Iron Patriot and Iron Man. He draws some great armor. And even how he drew his humans in this issue were much better than all past Invincible Iron Man issue, though they still looked stiff.

The Bad: With that said Invincible Iron Man #19 still suffers from some big defects. And truth is that the same problems that I have had with this title since the beginning continues to nag this title. For all of Fraction's talent as a writer he just doesn't seem to have fix these problems this title has had which is highly disappointing.

The biggest problem this issue, a
nd story arc, had is that it took way too long to get to the point of having Norman vs. Tony in the Iranian desert. This arc should have been cut to be no more than eight issues. Because by the time we got to this twelfth and final issue of this arc it was a bit hard to care for the big non-fight between Norman and Tony. It actually took me until the four or fifth page of seeing the fight for me to start caring to Norman completely dominating the fight. And for a big finale like this as a reader I should already be hyped to see the fight since it is what this story arc since the beginning was building towards. It is just poor writing on Fractions part that proves he stretch this arc way to long.

Also I hate how all writers feel like they can't tell epic stories without them being stretched out to last for almost a year. As Fraction prove here it really just hurts the overall flow to the story as by the time we get to the end the reader is bored with seeing the same thing happen. And for most of this arc the characters were in the same position they were in issue #10 or #11.

Tony walking through the desert was just so boring and did not need to be in this issue. We have had about nine issues of that already. At this point we already know how desperate Tony is to get to the last check point and we did not need more of the same. That scene before Norman reaches him is just a complete eye roller and makes me want this issue to end at that point.

The same can be said about Norman's evil rant throughout this issue. After eleven issues of Norman ranting about how he can't wait to kill Tony I did not need to hear more of that or for Fraction to insert dialogue to show how desperate Norman is to find Tony. The dialogue felt like it was written for new readers who were just coming into this series with this final issue of World's Most Wanted. And that is not needed since most if not all the readers of this issue have read this arc from the start or at least the midway point. It was unnecessary dialogue and he should have cut a lot of Norman's rant by half of what we got.

Also while Fraction tries his best to make me care for Pepper I really do not care about the character anymore. All of her dialogue just feels so forced. Pepper's character just comes off as a very stiff character who is just there to be there. Even her banter throughout the issue felt forced. Her character has just become way to boring and uniteresting.

Overall: Invincible Iron Man #19 was an average ending to this year long arc. For sure World's Most Wanted will be an arc that appeals more to new Iron Man fans. Fraction writing in this arc and his whole run in this title has been for new readers not long time Iron Man fans. So for long time Iron Man fans this will probably be more of the same for the character which may bore them. So I can only recommend getting this issue and arc to new Iron Man fans.
_______________________________________________________________________
Kevin

Comic Book Revolution Podcast #13

Shawn and I are back to take on a fresh batch of comic books with this thirteenth edition of the Comic Book Revolution's Podcast. In this podcast we tackle the following issues:

Dark Avengers #10
Mighty Avengers #30
Justice League of America #38







We are all about options, so if you would rather download and listen to the mp3 of the podcast rather than watching the enhanced version with the pics then you can go ahead and head over to The Revolution's podcast page and listen or download the mp3 of the podcast. And we are on iTunes if you want to subscribe.
_________________________________________________
Rokk

Sunday, October 25, 2009

Horror and Comics: A Match made in the Crypt

Comics and Horror are an interesting blend when you think about it. Horror can be very effective in novels as the descriptive nature of a good author can help build the tension that some of the classics (Dracula, Frankenstein, the works of Stephen King) have been best at.

In a film horror can go 2 ways, really building tensions and making you care about characters like the books usually go for, or it can go for jump scares. Jumps scares seem to be most of horror movies nowadays sadly.

Why do I bring this up? Because I want to distinguish that those 2 forms of medium are very different usually with how they use horror. Novels have to be creepier and build tension slowly if they want to be fully effective and movies can go either way. Though comics can have a mix.
 
Horror comics can both build strong tension and give us jump scares because comics are both a literary and visual medium that blends storytelling like a book and visual medium like a movie. You read and see. So a horror comic is a very unique and special thing since it can 2 both 2 elements of horror easily.

Now I wanted to get that out of the way so I can mention the elements of horror and how they work with comics. I want you to know how that affects my judgment on the horror comics I’ll be talking about right now.

While I don’t have too much to say on them, the old EC horror comics of the 50’s obviously deserve at the very least a mention for being such a vital horror source of the time. Also helping inspire the great movie Creepshow.

I actually have a few EC horror comics such as Tale from the Crypt and I must admit they are incredibly dark and creepy. While they lack the over the top punch that most horror comics nowadays have they still have their own brand of horror that hasn’t been seen in years. Making it a really creepy and fun experience to read.

Now when talking about the horror comics of today I should warn you all my experience is probably more shallow then others. I haven’t fully immersed myself in every horror comic out there nor am I fully aware of every horror comic out there nowadays.

So if I skip a favorite of yours then feel free to let me know about it in the comment section. Just try not to chew me out too hard or you’ll draw blood, and that will attract the zombie sharks.

One of the first major horror comics that comes to mind when I think of this current generation of horror comics is 30 days of night. The little vampire comic that blew everyone away and has since become one of the biggest Indy comics out there. Even going so far as to make a movie.

I could make an entire post all about the 30 days of Night series but I’m going to try and condense this as much as I can since I have other comics to talk about.

The first mini was not the best for me, it was a great read but mostly for Niles doing a good job of establishing his characters. I always feel a horror story is only as good as it’s main characters, not just the villains. If I don’t care about the heroes what’s the point of watching their story of being in danger?


Eben and Stella are 2 great memorable characters that give us a great window into Barrow and the struggle as the vampire hordes attack. Niles succeeds most there for sure. Though he also gives us some great villains with the more ruthless monstrous vampires. My favorite being Vincente, their leader.

Overall the first comic was more like a good start to something that would become better really as I enjoy it’s sequels more. Well specific ones.

Dark Days was just all right, not much I really want to say on this one since I haven’t read it in a long time.

Return to Barrow is undeniably the best of all the sequels and mini’s out there. I hope to one day do a full on big review of this but for now I want to leave it at this. It has the best and most memorable cast of characters, it has the most memorable scenes, the art was much better even though I already loved Templesmith’s earlier work and it has a twist ending that was absolutely awesome.

Long story short if you had to buy one 30 days of night book (and there are quite a few out there) this is the one I give the highest recommendation.

The only other sequels I went through the trouble of buying after that where Eben and Stella as well as Red Snow. The others I’ve just read in my book store and I can be honest and say I wasn’t too impressed with them.

Eben and Stella wasn’t too great either to be honest. I only enjoyed it for filling in the gaps between Dark Days and Return to Barrow.

I already reviewed Red Snow and while I don’t want to completely restate it, I do find it to be the best of the sequels since Return to Barrow. It’s Nazi’s vs. Vampires with memorable and cool moments and beautiful art, what more could you want?

Since 30 Days of Night, Ben Templesmith has gone on and become a very popular artist. Mostly with horror comics as he’s done covers for Halloween, the art for the Dead Space comics, Aliens and even a Silent Hill comic.

I could make  the rest of this post about Templesmith’s horror work, but rather I’m going to pick one: Welcome to Hoxford, his werewolf mini-series from 2008.


I actually skipped this mini in order to collection wait for it. I finally got a chance to read it just recently and I must say I am impressed. Now I’ll do a much bigger more full review of this sometime in the future but for now here are my brief thoughts on it.

Templesmith did a great job with this mini in the span of 4 issues. Building tension nicely for when we finally see the werewolves. We get some really messed up characters that, to be honest, we don’t root for. The only character I can say I cared about was the doctor though she seemed to be the least developed.

Still this has some great villains with the werewolves and I really dig Templesmith’s designs with them. They looks great and wicked as all hell. Of course like always Templesmith’s art here is great.

I’d have to say the werewolf hasn’t benefited much from this resurgence of horror in movies and comics in the last decade. There haven’t been any memorable horror movies recently or horror books or comics. This is the first werewolf story I’ve seen in a long while and it’s certainly a great one. Werewolf fans shouldn’t pass this one up.

Now keeping to the indy comics of horror I want to briefly talk about The Walking Dead. Sadly I haven’t actually picked up this comic, I’ve just read online spoilers, scans and skimmed through it at the book shop.


Friends have told me again and again I should read this and that I would love it. They are probably right. For one thing it’s in Black and White like one of my favorite films, Night of the Living Dead. While I really appreciate the hard work of colorists to me there’s always been some kind of special appeal of a black and white horror story.

I have kept up to date on the characters and it does sound like a heart wrenching story that I would love to read. I’ve been considering picking up the hardcover collections for the longest time now and I think it’s about time I do.

I am a huge zombie fan and even more so I am a huge fan of the Romero films. No offense to Return of the Living Dead, great movie, but I prefer the classic “shoot them in the head and their dead” zombies. Kirkman gives us that and for that I really would love this series if where to start reading it.

What’s kept me from reading it? Really just expense. I have a long list of collection books I want to buy and rarely do I start reading a series I’ve never read before when it comes to collection books. Though I am going to make an exception here.

Robert Kirkman is a writer who I respect a lot so his name on Walking Dead also helps. I will be giving this series a read and trust me, you will all be the first to know my thoughts on it after I read volume 1.

Now there are some comics that are considered horror like Hellboy. Sadly I’ve never read a Hellboy comic except a couple of Free Comicbook Day one-shots. I really want to read Hellboy, but so far my only exposure was the good 1st movie and the absolutely awesome 2nd movie.

Now there have been horror comics from Marvel and DC. DC usually it’s just something like a creepy Batman story or a Halloween one-shot and I never read their holiday specials so I can’t chime in on them.

Marvel usually uses it’s MAX line for horror comics. Stories such as for Man-thing (personal favorite of mine) or Werewolf by night. That’s all good but I think Marvel’s most prominent horror comic in recent years is the ever so popular Marvel Zombies.


I’ve talked quite a lot about the Marvel Zombies series and by now it’s no understatement to say that Marvel has milked this undead cow for all it’s worth and the milk is starting to go bad.

The first mini was an awesome read that proved the concept could work and was fun and over the top. It was insane and really went above and beyond what one would expect. It wasn’t amazing writing, but it was great for what it was.

The prequel comics where all decent to enjoyable. Dead Days was a useless one-shot though and the Army of Darkness crossover was really just a dumb idea that only worked out because of how funny it was seeing Ash’ reactions.

Marvel Zombies 2 was a more serious approach and surprisingly it worked very well. Making one of the best and most enjoyable horror sequels since Return to Barrow.

Marvel Zombies 3 saw a different writer in charge with Fred Van Lente and I must admit he did a great job. Sure Kirkman set the bar pretty high but Van Lente gave us a comic that I can only describe as Evil Dead 2 if Machine Man where Ash.

It was the same over the top greatness only in a different way. We had an actual hero this time and it worked incredibly well. Also Kev Walker’s art was gorgeous even if it didn’t mimic Sean Phillips’ darker moody art.

Then we have Marvel Zombies 4…which in all honest is Midnight Sons simply picking up a Marvel Zombies thread. It was a good read but in the long run a forgettable one. It had none of the Marvel Zombies charm and by now I was getting bored.

I’ve read through most of the Marvel Zombies Returns one shots and I can honestly say BLEH, the fad is officially dead and if Marvel has any good sense on them they’ll leave it dead and buried.

Marvel Zombies was an awesome idea that started out very strong. If Marvel hadn’t quite overdone it so much I’m sure it would remain in fans memories as one of the coolest and funnest comics in a long time.

Now I want to end this off by talking about a couple of younger horror based comics.


The Astounding Wolfman is a series I’ve really wanted to read for a while but the first few issues never really did anything with me. Kirkman’s use of the characters wife just as a dramatic death really irked me as it’s more typical writing from Kirkman and what one would expect.

Kirkman is a great writer but this series seems like something more I should be reading in the collection books. Which is what I’ll probably be doing sometime in the future.

Scarlet Veronica is similar to Astounding Wolfman in that it takes elements of horror but adds the super hero twist to it. Though Scarlet Veronica is much more closer to the original idea of playing within the realms of horror.

I’ve reviewed this comic already and I can’t say much more of how much I enjoyed it. It wasn’t the smartest or most brain picking comic but it wasn’t trying to be the next Watchmen or anything. The writers set out to tell a fun cool story with enjoyable characters and they did so.


Often horror can work when it has some lighter tones and gives us some fun along with the scares. While this comic never actually scares, it does do a great job of giving us a more fun and enjoyable outing like horror can do so well. So for that I really did enjoy the hell out of it.

I wanted to briefly mention Haunt, the new comic from Todd McFarlane and Robert Kirkman. Looking back at my review of issue #1 I do think I may have been a tad too harsh on the art. Though still all around I stick by the rest of what I said .

Despite issue #1 being a bit of a problematic start I remain hopeful for this series and fairly excited to read #2. I love the twist of ghosts and whatever other horrors Kirkman has in store so I’m really excited to check this book out.

Overall horror and comics has been an interesting marriage. Sometimes it works really well, other times it seems comics just play with themes of horror but don’t go all the way to be a fully scary comic. Either way it’s a great pairing and I love horror comics.

Now excuse me as I go face the greatest fear of all comic readers, watching Batman and Robin from start to finish!

Comic Book Review: The Brave & the Bold #28


The Brave and the Bold. How many people remember the days of Bob Haney and Jim Aparo on the original Brave and the Bold title? One of the great things about that book was the one shot stories. Every issue told a complete story in one issue. Aparo's artwork was excellent. Haney did a good job within the confines of the limited number of pages he had.

J. Michael Straczynski has returned the one shot stories to this title. In his first issue, JMS used the Haney style combined with a modern take. Let's see if JMS can work the same magic with this team-up.

Creative Team
Writer: J. Michael Straczynski
Artist: Jesus Saiz

Story Rating: 8 Night Girls out of 10
Art Rating: 8 Night Girls out of 10
Overall Rating: 8 Night Girls out of 10

Synopsis: Flash travels to Belgium to assist Doctor Garton with an experiment. He has developed a multi spectrum laser. He wants Flash to run along side the light beam and take readings.

Doctor Garton gives him a device. The beam is fired. Flash runs near the speed of light as he takes the readings. The laser interacts with the Flash's own vibrational frequency and shorts out the device. The resulting feedback pulls Flash into the beam and boosts his speed. He blacks out.

Flash wakes up in a snow covered forest. His leg is broken in 2 places. This prevents him from running back through the rift. He hears noises. Going to the top of the hill, he spots a German battalion. Flash is at the Battle of the Bulge.

The Germans spot him and open fire. Flash runs. He slips and falls down a hill. When he starts to stand up, a gun is pointed at him. It is Blackhawk.

Blackhawk does not believe that Flash is one of the American costumes. Blackhawk says that the Flash that he has heard of wears a silver hat and has blue pants.

The other members of the Blackhawks tell Blackhawk that they saw the Germans attack Flash. The Blackhawks agree to go to a more secure area and continue their discussion about if they should trust the Flash or not.

We cut to Barry Allen with his mask off and telling his story to the Blackhawks. They don't believe him. Blackhawk says if he is really from the future, Flash would know the name of the top secret project in New Mexico. Flash says the Manhattan Project. Blackhawk believes him.

The house they are hiding in is surrounded by German troops. They hand a gun to Barry. Barry is unsure of using a gun. Barry finds a stack of bricks. Flash drops the gun. The next thing the attackers see is a rain of bricks. Flash stops the attack.

Blackhawk takes hold of Flash. Blackhawk says that if the Flash does not start killing the Germans then the Flash is a coward. Blackhawk says he will shoot Flash if Flash refuses to fight the Germans.

Flash says that when he put on the uniform, he swore not to kill anyone. Blackhawk replies that when the Blackhawks put on their uniforms, they made a vow to kill as many of the enemy as they can.

Flash realizes in a war people get killed. As he wrestles with his dilema he leaves the others. He finds a US uniform. Flash does not kill. Barry Allen, American, can do those things when his country is at war. He unmasks. The days blur into a cloud of gunfire, smoke, and death.

When his leg is healed, Barry makes it back to the rift he travelled through. Blackhawk stops him. He wants to know if it was worth it. Did we win? Barry tells him yes. Blackhawk asks if it was the war to end all wars. Barry says no. But the country survives. It has it's flaws but it is still intact.

Barry puts the Flash uniform on. He runs back through the rift and returns to modern day Belgium. It is only 1 second after he left. Doctor Garton says it is extraordinary. Flash thinks to himself, that what he does is not extraodinary. What the soldiers did was extraordinary.

Commentary
The Good: To me, this is a classic Brave and Bold story. It is told in a compressed fashion and in just one issue. The Flash is in Belgium for a logical reason. His journey into the past makes sense based on previous Flash stories. Flash has frequently traveled through time by using the treadmill. Here the interaction with the beam speeds him up to break through the time barrier.

Straczynski has built a story that plays to the strengths of both the Flash and the Blackhawks. Granted, if the Flash had not broke his leg this would be a different story. However, Flash still finds ways to help by launching the barrage of bricks.

I liked the way Blackhawk doubted him when Barry said he was the Flash. JMS does a nice nod to Jay Garrick who was the one and only Flash during this time period.

Jesus Saiz once again does a great job with the art. War-torn Belgium gave him a stunning backdrop. The scene where Flash wakes up in the snow covered land was amazing. The red Flash suit framed by the white ground and the dark, leave-less trees really caught my eye.

The Bad: I had no problems with this issue but I can understand it if people complain about Barry's decision to put on the Army uniform and pick up a gun. JMS does not show Barry killing anyone but the reader can assume that he did. In wartime, many people who would never think of killing a person have fought and killed their enemy. Until we are in that position, I don't think I can judge another for their decision.

Overall: JMS/Saiz are a great team. They know how to tell a story and that is more than I can say about some of the other creators working on books today. Brave and the Bold #28 is definitely a recommended read.
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Jim